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FEATURED ARTICLES

Just a few days before the Oscars, I watched “The Artist” Read More ...

One man I have believed who can facilely camouflage pathos Read More ...

He’s an octogenarian! You won’t believe. Read More ...

Lately, Robot has been in news for shrieking Ra. One. Read More ...

What a black humour! To call stylish walker, a langda. Pawan Malhotra as Salim... Read More ...

As not vitiated by a speck of ‘herdship mentality' that Mumbaikars borne... Read More ...

I do not understand whether to cry or enjoy since the day Sachin Tendulkar. Read More ...

Showing posts with label Marathi. Show all posts
Showing posts with label Marathi. Show all posts

One man I have believed who could facilely camouflage pathos with subtle quirky humour was Charlie Chaplin.

I saw and heard Kiran Nagarkar at an event during the recently held Kala Ghoda festival in Mumbai.

And I found second such man.

Nagarkar was there for a reading of his latest book, “Extras” a sequel to his most famous and critically acclaimed work, “Ravan & Eddie”.
I got introduced to Kiran Nagarkar through his “Seven Sixes are Forty Three”, English translation of his landmark work, “Saat Sakam Trechalis”. It took almost 20 years for him to publish his second book “Ravan & Eddie” (1994). Both these books are an incredible work of literary fiction that has been injecting me with inspiration.
It is unfortunate that we did not (will not) get to see his 1978 creation, “Bedtime Stories”, which remained banned (extra-legally as Nagarkar claims) for 17 long years and now is almost extinct.
     
His miraculous writing journey continued with 2001 Sahitya Akademi Award winning “Cuckold” (published in 1997) and then in 2006, 9 years later, he published “God’s Little Soldier”. Nagarkar proved his mettle as a prolific writer seamlessly moving from contemporary themes to stories with mythological background. “Cuckold” is a tale about sorcerous Meerabai's husband, Bhoj Raj. “God's Little Soldier” deals with a liberal Muslim boy’s tryst with religious orthodoxy.
My admiration for this man is not a yesterday’s deal. I have read and re-read him through his books and interviews for a decade, almost.
In Nagarkar is an abysmal thinker who has ideas and story-telling skills that are not only abstruse but also thought provoking. He keeps you intrigued and thoughtful throughout the book. He is a laudable caricaturist.
There are not many takers for him (however the little following he has is a serious mass fond of literature). He remains largely unfound.
     
“I sold only 1500 copies in 27 years and I have entered Guinness Book of Records for that,” jokes Nagarkar.
He bristles when Marathi journalists hurl questions at him about he not writing in Marathi; it is natural for a writer who initially and originally began writing in Marathi but could not go beyond a point and switched to English.
It is a sorry state for this state where art & culture were held high once upon a time. Sadly, the Maharashtra government, and more so the literary associations, have wretchedly failed to preserve our literature. I wish Kiran Nagarkar had Kolkata or Koshi as his workplace; he would have been an icon by now. Because unlike other places, these two states strive to keep their art, culture, literature alive; their focus is on “what” and not “who”.
And I also thank God that he did not send William Shakespeare to Maharashtra for he would have perished in 4 years alone, forgetting 400 years of immortal citizenship through literary works (pun not intended).
I have regularly felt and written about the slow decomposition of Maharashtra because of its rapacious leadership. A book makes a remarkable sale of 20000 copies and then 30000 in reprint in Germany. However, our nation (or state) cannot do a little for this splendid writer. We can’t expect a Kiran Nagarkar to go on Facebook, at this age, to blare his success and gather “likes” & “fans”. He doesn’t need to. The focus of our state’s literary associations has to shift from an irritating Bhalchandra Nemade to Kiran Nagarkar. Nagarkar deserves it; Nemade does not.
I am deeply moved by the way Nagarkar is being treated, imagine his state of anxiety.
Read his interview here - http://www.dnaindia.com/lifestyle/interview_literatures-little-soldier-kiran-nagarkar_1637677
Yet he covers his anguish with little giggles, smiles, and banter – the Charlie Chaplin.
- Amol Redij

It indeed is a good song with foot tapping beats, perfect for a dandiya night. It surely has caught rage with the young crowd. It is simple “hummable” and trendy too. Junior Nigam’s version is even more gripping,
However, there is one more aspect why this song had to get some much fan following or rather could get the needed exposure. Though we want to largely ignore it, the fact remains that song has some association with Rajnikanth.
There are number of other good songs that could have gained prominence had they been exposed or marketed correctly. For e.g. Avadhoot Gupte songs are much better than this recent Kolaveri rage. Gupte’s songs are enjoyable, you can sing them, you can dance on his songs, and you can give a solid performance on his songs, and I don’t only mean “dhingana” here. Avadhoot is not only good with peppy songs but also with soul touching music, though he is largely recognised for the former genre. And mind you Avadhoot is an all rounder, he has made effective movies like Zenda and Morya.
Ajay-Atul, a combo that is lately rocking the Bollywood with Singham and Agneepath. Their compositions are amazing, especially when they strum the rural-cultural chords. “Mayechya halwya”, “Malharvari” from Agga Bai Arrechya, “Lalati bhandar” from Jogwa are terrific compositions. Mind you, “Kombdi palali” or “Chikni Chameli” are just their average level creations. “Chikni Chameli” caught fire only because it has Katrina dancing on that song, perhaps. “Kombali Palali” the original version, a better one, did not catch up so much rage as did Kolaveri.
When it comes to the larger platform, I think Marathi people shy away, get gripped by ‘nyunganda’ (inferiority complex). They are not as outgoing as people from other regions. Shying away could perhaps be a wrong term, it must be the humble nature that we don’t usually show off – the focus is on creativity and not on glamour. More than what “I” think of something, we Marathi people focus on what “others” will think of it, and hence lose out on time and opportunities.
Change! Of course it does not mean get shameless.
A “Kombadi Palali”, “Tujhe Dekh Ke Meri Madhubala”, “Goa mix”, “Lalati Bhandar” are way beyond in excellence of poetics and composition when compared to Kolaveri.
“Ayushyavar Bolu Kahi” another amazing musical that has tight lyrical poetry composed in a melodious musical. I think the audience for such a niche technically perfect melody remains small, and hence “Aggobai Dhaggobai” does not become a Kolaveri, which appeals to anyone and everyone. You don’t need to understand what Kolaveri is trying to convey, it only makes your feet to tap. Sandip and Salil, on the other hand, stir your soul entirely.
It will take time, perhaps, like it took for me. I had been contemplating about this article for over a month, thinking what people will think. But it was getting ironical, what I wanted to write and why I am not writing it.
I am young, and a Marathi manoos that appealed to me most, until recently, was Shreyas Talpade. However, I have noticed, after the Kolaveri effect, that there is a Avadhoot, Ajay-Atul, Sandip-Salil, and there is one Amol Gupte too who can take on Aamir.
And yes I know a few unknowns too – Adwait Patwardhan in Pune of Pancham Digital, Niranjan Jamkhedkar in Mumbai of Studio Tabassum, Amit Redij in Mumbai who does not have professional setup as yet but who is a prodigy in playing variety of musical instruments.
I am happy though that somehow creative people with Marathi background are slowly inching towards fame and recognition. The ‘hare & the tortoise’ story like. Slow and steady will win the race.
- Hanumant Suryawanshi

‘Maharashtra is a mahajoke,’ a young boy from a southern state of India told me. He was in Mumbai for two years and knew about the state much more than the youth of his age from the land – politically, culturally, and financially.

‘Why?’ I asked him with a bit of disdain, though somewhere within I concurred with him.

‘See, you all here are joking. Right from a budding actor to your chief minister, people have no other business it seems!’

I couldn’t refute his statement because it was true beyond doubt.

One of the earlier two chief ministers, handsome looking than his actor son always told the anecdotes about the jokes in his career time on stage, in his interviews or on Marathi news channels. His smile is good, might have been liked by the ruling squad of the country. And hence he could have been reinstated as the chief minister. The reasons may be abundant. The Pandora box is opening and other reasons for his baxishi (the chief minister could not pronounce ‘s’ properly, he said ‘sh’ for ‘s’) may pop up soon. Then it could turn out to be a tragical humour!

“Umar-e Daraj Mangke Laye Theyy Char Din…” half of them he wasted on telling jokes and rest in obeying orders of Delhi.

Maharashtra is fond of homour. ChiVi Joshi, Acharya Atre, PuLa Deshpande and though a mainly politician, Balasaheb Thackeray, through his circuitous speeches have kept the tradition. That was a kind of - old as gold. However, over the generations the pedigree is spifflicating the legacy.

Aso.

Anyhow a minor reason caused to stop this joke and Maharashtra heaved a sigh of relief from invasion of jokes in political life.

Delhi sent an MBA to Maharashtra to rule as a CEO.

One more smart sigh of relief. An MBA would rule the state. What a fortune! Smart fellow. Smart talker with a bit extra smart tone. But this talker had a relationship with tower. Who knew? The smartness was a rudeness, who knew?

The MBA proved not to be a CEO, but yours obediently.

The bobda (dull in talks) prince is his master.

I’m coming to Mumbai to challenge ShivSena, prince messaged. Obedient CEO massaged himself for duty, collected all the police force from other duties and employed them to protect the prince as if there was going to be a borderline battle. The prince traveled with full protection in a local train specially emptied for him.

The MBA, CEO, Chief Minister of the once upon a time the most progressive, reformist state, himself left the place of his work brushing aside his formal duties and marched to the destination that prince was to visit.

Message flashed – I’m reaching within half an hour.

But he is a prince after all. He has his whims. Is it compulsory for him by law or convention to reach the destination within the stipulated time?

Would he care that chief minister of a big state, the biggest financial earner to run his kingdom, is waiting for him? Never mind. He took a diversion en route and reached his destination after couple of hours. Diversions are not new to Maharashtra!

Our CEO, visibly embarrassed, sat underneath a mango tree holding his right cheek fallen like a lorn in right hand as a policeman on a duty or a door keeper at his own cabin does.
(Memory pricked me to remember Sean Connery and Ursula Andress in the first James Bond movie, Dr. No that had a song – “underneath a mango tree”)

Has Maharashtra ever been conflicted by a more cruel joke than this?
And that even though he continued raising the towers of corruption is daily coming out before Maharashtra, India, Asia, the world, the earth, the universe and so on….

Hehi aso.

A new chief minister, wisdom prevail, that Delhi has sent.
M.S. from University of California.
He is a Member Consultative Committee, Ministry of Science and Technology, Electronics, Atomic Energy, Standing Committee on Science and Technology, Finance and Planning, Rural and Urban Development, Committee on Public Undertakings, Public Accounts Committee, Standing Committee on Energy and many others.

With such a vast range of experience of work and guts to defy the viciously powerful builder lobby in Maharashtra while assuming the already badnaam post he may wash out the buffoon’s image his predecessors have created, one feels.
Anna Hazare, the only Gandhian left in the country, also feels so.

Notwithstanding, Raj Thackeray doesn’t. The new CM’s action may soon make him change his opinion.

For me, I remember the CM in a beautiful movie packed with positive outlook, SARANSH. The chief minister at the end of the movie says to his teacher – ‘There is still a hope.’

Who would forget that chief minister enacted by Akash Khurana, the epitome of simplicity, authority, and sophistication one feels a politician should be like.

And, I hope to write soon to that young friend of mine from southern state that, Maharashtra is ‘mahawoke’ from that nightmare of joke.

- Divakar Kambli

Maharashtra has a ved (mania) for celebration. Of any kind! Come September or August, people of Maharashtra are charged for ten days. They don’t do anything but sing songs in haphazard manner with no mercy to rhythm, they play loud speakers defying 50 decibel limit to express their joy with delirium. Come October and they are ready to repeat the fruitless act. Then Diwali and other single day celebrations follow. Joy one should take, but not to the extent of wasting huge time and expense of keeping one’s career waiting.

Obama came to the city. Far away from the city of Illinois his media managers might have chalked out the itinerary of his India visit. However, imagine Michelle Obama mingling in the crowd of boys of an English medium school in Fort and straight heading to dance to the tunes of an ethnic Koli Marathi song – you’re under loss of state of mind.

It’s never so with Americans at the upper hierarchy and I’m grieved to say, always so, with Indian political counterparts. A fresh like pomphret example of Common Wealth Games in Delhi!

So they planned from a distance that is exactly on the opposite of the globe and executed the plan in filthy Mumbai without a wrinkle on the face. Soon our shameless politicians, with their crest fallen faces, may visit US to study how to reciprocate the gesture in a comparatively clean city. However, let us keep aside the political analysis by the analysts with crooked and favourable angles expressed as a running commentary.

Michelle’s dance! The scene kept cheering the mind. Michelle is a good dancer. She caught to the tunes immediately with Madhuri Dixit’s ease. It’s in their blood. To catch the rhythm. But Barrack was not at ease. Doesn’t matter. In last few, about 20 seconds he tapped on the tunes. That was a symbol of humility. How many of our politicians with their dogmatic face and vain pride could have shown this gesture?

That achieved two purposes. It tickled the hearts of rich and at the same time created a feeling of pride among the original tribes of Mumbai. Bichchare Bhandaris and Pathare Prabhus, other original tribes! Would have the tour planners thought of this? Congress the ruling party of Maharashtra may be able to draw a benefit from this gesture.

Owing to sincere and persistent requests, Obama danced with his sleeves folded and with fastened necktie.

We were taught to button the sleeves while meeting seniors. To fold full shirt sleeves was supposed to be uncouth. The British tight upper leaps are able to gulp the morsel? The Korean and Chinese taken over the garb of dark suits would be able to digest it?

Our Marathi entertainment channels don’t care of President of India and new chief of the state who is a M.S. from California. The dissuading Marathi entertainment channels thumping hideous programmes in the name of humour on the face of the Marathis evading the intro and life portrait of a so educated chief minister. They were accompanied by relatives, the journos in high places, like that in Adarsha Society. Are they not equally sinful in their act?

I had regards about the British stiff upper lip. But in Bush’s time that was burned out by Tony Blair.

It’s said that: a true American never accepts anything for free. He pays for it and pays for best quality. Despite their depleting resources they’ve not given up the habit. Prima facie Obama has made a provision for 50 thousand jobs. BPOs are not affected as the fear loomed a month ago. Go, grab them.

Analysts are not catalysts. Throw them in the recycle bin.

Though so, we have our own iconic example, still intact. Years ago Indira Gandhi danced to the tunes of folk songs of Adivasis in a remote village. She sincerely believed to be a daughter of an Adivasi in her earlier birth. With her grace and a little smile, the impression is as live in my mind as then was.

- Divakar Kambli

Lately, Robot has been in news for shrieking Ra. One. However, his rendezvous with the ShivSena Boss left everyone stirred, including me, indeed with glee. The demigod of South Indian cinema, not just Tamil, met Balasaheb Thackeray at the latter’s residence in Bandra. And what a cherished fulfillment it was.

Both these great men, creative in their own ways, made the appointment even more artistic with their smiles, handshakes, pats, and hugs. Rajnikant has been a great admirer of Balasaheb, and so has Balasaheb been an ardent follower of Rajnikant and his movies. Balasaheb has often praised the superstar in Saamna and so has Rajnikant obliged Thackeray by visiting him every time he was in Mumbai – issues about language and state have never made things bitter between them.

While Rajnikant has delivered electric performances on screen, Balasaheb Thackeray has expressed his dexterity on paper – through startling articles and cartoons; both these resolute supremos have gained expertise in expression of art and captivating the masses for over decades. While one has strived to keep the history alive and the other creating history with every attempt, the Sexagenarian-Octogenarian encounter of yesterday can certainly be penned as one historic event.

Quite interestingly, Thackeray fancied smoking chiruts and experimenting with various kinds of cigars, though necessarily he may not be an addict, and Rajnikant shot to fame because of his peculiar style to smoke cigarettes – toss a cigarette in the air and clutch it precisely between the lips; this may have enticed Balasaheb. Smoking is certainly injurious to health but perchance has proved to be harmless to gain publicity.

Originally, Shivajirao Gaekwad, who also just recently played a role in Sivaji – The Boss, could also be a reason for Thackeray likes towards Rajnikant. Rajni, perhaps epitomizes the role of an ideal ruler crusading the failures, who Thackeray has idolized over years – the Great Maratha Warrior, Shivaji.

However, even if, for a while, we keep away the analogies and memories of past, yesterday’s present was like a delightful gift for me – it was packed with amicability, respect, fondness, satisfaction, and smiles, a confluence, indeed a visual delight.

- Amol Redij

You utter a word in Marathi and they would empty the backdoor godown of appreciation if you are a non-Maharashtrian. See the Marathi channels. That’s how many Maharashtrians are.

To go a little back, when Chandrababu Naidu was a toddler, coordination was par excellence among Telugus and Marathis. The basic union movement was raised on the foundation and pillars that Telugus constructed. They knew and spoke Marathi so well, that after an hour long lecture when the orator’s name was declared as say, Reddy, the workers, attending the meetings, had an expression of awe on their faces, unlike a one-word-wow of the day.

Construction worker in building construction business was too a Telugu specialty. They gave their sweat to Mumbai, literally. Anybody might have ruled Mumbai and Maharashtra, yet there was no clash among them and Marathis, whatsoever, as they worked honestly, establishing brotherhood with local people.

On this backdrop, the ex-Chief Minister of Andhra comes to the border as if invading a different country, eats biryani, sleeps in an air-conditioned room after that, and later goes back to his state, declaring that Maharashtra police beat him up! In the history of human hospitality, no atithi has lied so promptly after a solid food offered to him.

“Put on your dancing shoes” – was a famous and popular song during the high-school-attending days of Chandrababu Naidu. Failing to recall that, he tried to act by rolling on the ground, complaining about beds. He was seen sleeping with his shoes on instead!

Maharashtra, with a large heart, didn’t object to Andhra’s dam that had brought the backwater well within the Maharashtra territory.

With such a pack of loose script, the Neta decided to shoot his lousy drama on the backdrop of Krishna water and had to run away before the Muhurta clap. Instead, he heard other kind of claps shooing him away from the scene by the local residents of the location, i.e. Babhali. That was very much cinema style.

While shooting ‘Indiana Jones and the Temple of Doom’, a 1984 Hollywood film with our own Amrish Puri as a villain, in Kamshet near Lonavala in Maharashtra, 3000 people of the region helped director, Steven Spielberg with total cooperation. In Babhali those many people whisked away Chandrabbu. The difference in between the Abhineta and Neta is clear.

The second schedule of this runaway Neta was in his territory. Many mob scenes of delirium were there. But his chief minister under orders of 10, Janapth did not allow to shoot the sequel. So also the people from the Karimnager are opposed Chandrababu, which is obvious from the letters of protest appearing in Deccan Chronicle.

In 230 BC, Saatwahans of Junnar near Pune ruled Kotilingala, now Karimnagar of Andhra, a part of Telangana and part of Krishna Godavari belt. Chandrababu has come to visit and claim the water after two and a quarter centuries.

His father-in-law, NTR was an Abhineta who acted in more than 300 movies. He had seen his ups and downs after entering into politics. In the time of Chandrababu’s childhood many of the auto biographies written with titles like ‘My Son’s Father’ or ‘My mother’s Daughter’ or likes.

Chandrababu, if decides to write an auto biography could take above mentioned title. The relationship has no genetic connection as it is for the titles having son, father, daughter, mother etcetera. So it is very apt. NTR was a great actor or showman first, and a leader afterwards. That Chandrababu is not. He is a leader first and an actor afterwards, now a flop, albeit.

What a difference!

- Divakar Kambli