KAHIHI

History of mankind in short is war between good and evil. Even our Indian mythologies believe and prove it’s always ‘truth that triumphs’. But is the truth always the truth? Isn’t it’s definition incomplete without a lie? What is good without evil? These ever-puzzling questions have been marvelously raised in an intriguing Japanese anime–series, “Code Geass: Lelouch of the Rebellion”.

Produced by Sunrise, it is undoubtedly the best so far, showing almost every human emotion, and justifying the fact that ‘Good might do good unto somebody, but it’s still bad for another’.

Set in post world-war period in 2017 a.t.b, it’s a story about two superpowers, the tyrannical Britannia and The Nationalist Chinese Federation. The Holy Britannian Empire is a symbol of absolute tyranny for the Japanese, as they have stripped the Japanese of their rights, their freedom, and their name. The Japanese are addressed as “Numbers”, the residents of Area 11(the new name of Japan), for example.

The Britannians torture, harass, and indiscriminate the Japanese people. The Emperor of this kingdom, Charles VI Britannia, proclaims that “All Men are not Born Equal. Inequality is not Evil”. A kingdom whose ruler is that wretched is sure to be the same. There are rebellions among the Japanese to overthrow the regime. However, they are crushed mercilessly using a Humanoid powered armor called the ‘Knightmares’, a scientific innovation of unimaginable power, which constantly evolves throughout the series to become a formidable weapon for our scientists to ponder upon.

Lelouch Lamperouge, the hero of the movie, is a young Britannian student and vice-president of the student council at Ashford Academy, a carefree school with a carefree student council. Leading a simple life with his blind and physically disabled sister Nanally, of whom he is very fond of, he secretly harbors a ambition to overthrow the Britannian Empire. He never tries anything rebellious until destiny meets him on his track. That meeting sets off a series of marvelous and enthralling events that go on to change the history of world, and probably the perspective of the viewer about the true facet of truth. Lelouch though an ordinary Britannian, has an extraordinarily troubled past. The series is itself a revelation for him about his past; what he has believed and what actually has happened.  Often, a quiet and obnoxious boy, he has a brilliant strategic mind, owed to his exception chess playing quality, and a heart-rending love for his sister Nanally. He gets what he wants and doesn’t care who stands in his way.

Geass is a power of the kings. A mind power, which accustoms to whom it has been bestowed. This Geass is a binding contract between an immortal and a human that implies the fulfillment of a wish of the immortal by the human. It is an unparalleled power beyond the science humans have achieved. In an interesting meeting, a witch called C.C, gave this power to Lelouch. This C.C. then becomes an integral part of the rebellion that Lelouch leads and in knowing his past and the answers he is finding. Lelouch has an ability to turn the will of the people he sees, and make them do things he wants them to. As there is limitation to every power, he can cast his Geass only once on a given person. Though the Geass has an everlasting effect, the tests that he carries out for testing his only weapon are also amusing enough.

The first war that Lelouch fights with this Geass against the Empire is almost with no resources and a handful of rebels. However, it was enough to strike fear in enemy’s heart or that of Prince Clovis, the King of Area 11. Then he adorns the mask of Zero, a rebel with a cause, a dangerous enemy, a powerful leader and a fighter for the injustice against the unarmed. What Zero embarks on is a dangerous path of treachery against a powerfully armed and scientifically dangerous Empire. But the rebellion he leads is not for Japan but to create a world wherein Nanaly could live in peace and with love. His ambitions take him to form a group of rebels known as The Order of Black Knights. Leading this group he gets recruitment in many forms even from Britannians who are fed up of the regime. One such man is Diethard, a byte-hungry media-man. His involvement in the rebellion shows the power of media the way it can transform a terrorist into a hero. Diethard states an astonishing fact that ‘Journalism is not information but Human Creation’. What is stated about the power of media in here is also a present-day situation in our country.

Suzaku Kururugi, best friend of Lelouch and his worst enemy, is a flaw in all of Zero’s plans. Always in Zero’s path Suzaku wants to change the system of Britannia from within. Lelouch and Suzaku are on the opposite sides of justice each going for the same heading. Suzaku, also like his friend has a troubled past, which is slowly revealed throughout the story. CC, the witch is depicted as a heartless immortal but still very endearing in the end. Charles VI Britannia the Emperor is bestowed his power of Geass by C.C. and another V.V his brother. The short forms do sound odd but their names are not known even after the series ends. Another mystery. One of the more characters that strike the viewers is Euphemia, a really lovable and kind girl just like Nanally.

Having a varied cast as such it gets into action with the murder of Prince Clovis wherein the viewers get another hint as to who Lelouch is. Introduced as the successor of the Throne of Britannia the shroud of mystery begins to grow around Zero. Even the Black Knights do not know of his identity. For them, he is a man alone who will lead them to victory, who will liberate Japan an idol to follow. For him they are chess-pawns to checkmate the king. Based on such startling human nature it slowly enters the supernatural world of Geass.

What becomes of Zero and his rebellion the Black Knights and his passion to murder the Emperor Charles is too thrilling to watch. What Zero is, is a mixture of coldness, strategy, winning and an unmatched oratory, ironically all for the sake of his love for Nanally. The story has a serious tone; however, some of the most comical characters like Count Lloyd, nonetheless a genius, even it out.

The end is so superbly done that none could ever have predicted it. The simple end shown and the way Zero builds his Empire of Black Knights for the downtrodden just destroy the very basis of our foundation that ‘the good can never be bad’.  What are the reactions of every character in the series, their motives for the actions they take, the nature of the actions they take justify themselves slowly and gradually. There comes a point wherein you have no idea which side is good and which is bad. They are both the same. In the end even the truth can’t be justified without a lie. The whole point of the series being epic lies in the fact that it’s still a good versus evil battle but here the good takes a turn for the worse.

'Behind every Great man there is a Crime’ this is what the series tells in the end. That there cannot be only good and only bad, both coexist. There is no definition of good and evil it’s only a perspective. But in the end it’s still a human world where everything just cannot be perfect and it shouldn’t be.